Thomas Hart Benton Poker Night Print
Poker Night (from A Streetcar Named Desire), 1948 Thomas Hart Benton. Whitney Museum of American Art, New York. Thomas Hart Benton is best known for painting scenes of rural and small-town America, but Poker Night presents an altogether different world. Thomas Hart Benton American Regionalist Painter, 1889-1975 Guide to pictures of works by Thomas Hart Benton in art museum sites and image archives worldwide. Thomas Hart Benton Poker Night; Thomas Hart Benton Cradling Wheat; Thomas Hart Benton After Many Springs; Thomas Hart Benton Portrait of a Musician. Thomas Hart Benton Still Life with Fruit. All 301 Artworks from Thomas Hart Benton. Thomas Hart Benton Slide show Thomas Hart Benton. Named after his great-grandfather, a prominent U.S. Senator, Thomas Hart Benton emerged from a political background with a love for America and its back roads. As the son of a popular Missouri congressman, Benton traveled extensively with his father on the campaign trail. Poker night (a streetcar named desire) Thomas Hart Benton. Poker night (a streetcar named desire) Thomas Hart Benton. Poker night (a streetcar named desire) Thomas Hart Benton.
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Thomas Hart Benton, Poker Night (from A Streetcar Named Desire) 1948:
$209
“EXTREMELY RARE, NEW, never mounted or framed. Thick heavy gauge buff paper with Museum Certification on border Large 36 x 26 size***VERY LIKELY THE LASTNEW VINTAGE PRINT OF THIS PAINTING THAT IS AVAILABLE!!***”
Thomas Hart Benton an American Master painter, created a painting entitled 'Poker Night' which depicts all the characters (Stanley Kowalski, Stella, Blanche DuBois, Mitch, Steve & Pablo) from Tennessee Williams' Pulitzer Prize winning play, A Streetcar Named Desire. The world famous playopenedon Broadway on December 3, 1947. Thomas Hart Benton's original work of'Poker Night' is a museum collection piece. You can own a mint condition, MUSEUM CERTIFIED, original print of 'Poker Night' which measures 36' x 26'. This vintage museum print is no longer in circulation.ARTCRITIC, KATHRYN POTTS: As you look at this painting by Thomas Hart Benton, I think you can’t help but be aware of the incredible sense of artificiality. However, the theatricality of the painting is totally appropriate because what we’re looking at is a scene from the theatre and these are actors on a stage. The play is Tennesse Williams’ PulitzerPrize winning A Streetcar Named Desire, which would later become a movie. This painting was painted on commission. It was intended as a surprise gift for Irene Selznik, who was the producer of Streetcar. What’s really interesting about the story, however, is that Jessica Tandy, who plays the Blanche Du Bois character was incredibly offended by the way that Benton portrayed her. She looks actually like she’d be the prize contestant in a wet t-shirt contest. Her dress reveals more than it covers up. What’s also interesting is that if you compare the painting, as presented by Benton, to photographs that were actually madeof the stage version of the play, Jessica Tandy never wore a dress likethis. She in fact wore these kind of flouncy costumes with ribbons and bows on them, and southern-lady type hats, and she wasn’t at all somebody who would have tried to catch the attention of Stanley. And Benton kind of creates his own interpretation. And it was really this reason that Tandy as an actress felt that it was very inappropriate, andthe way we would probably describe this today was that she felt that Benton was blaming the victim.